![]() ![]() Salieri was a personal friend as well as a professional rival, and his mistress Caterina Cavalieri (Constanze, Donna Elvira, the Countess, etc.) was one of the most important singers to work closely with Mozart. But she quietly sets aside many of the more romantic myths we cherish about Mozart. ![]() Glover confesses herself to be a fan of Peter Shaffer's Amadeus and credits Simon Callow with helping her to get started on this book. Lesser parts are played by Mozart's mother (who acted as his business manager on his Paris tour, when his father couldn't leave Salzburg) and by some of the other distinguished singers for whom he wrote parts in his operas. In real life, this is a collection of three extended essays, written in non-technical terms for the general reader, looking at the role played in Mozart's life, his operas, and his posthumous reputation by a group of extraordinary women, in particular his sister Nannerl, the pianist who inspired all his early keyboard music, and his wife Constanze Weber and her three sisters, all of them highly-talented singers. Nor is that a version of events that would make any kind of historical sense. Show More life conducting Mozart and confirming his standing as the greatest operatic composer of his time, she's not someone who's likely to rush out and tell that it's all a myth and he was just fronting for his sister. ![]()
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